BRONZE

Creation of a bronze sculpture

Alexander Widmann, Gertrud Mitterstieler-Widmann, natural stone and bronze work, Algund, South Tyrol. Own collections in natural stone and bronze and commissioned work: fountains, wall fountains, boulder fountains, sculptures, statues, figures, chimney cladding, tombstones, plant vessels, vases, benches and tables, stone in the building, building elements, balcony railings, vaults, entrance borders, fountain figures, garden figures, Small bronze figures, bronze relief, stone relief.

TECHNOLOGY

  • The model

    The sculptor models his original in a material and in a technique with which he has the best experience (often clay). 

  • The negative form

    In order to obtain an identical wax model from the original, a negative mold is made of the model to be cast in a special rubber.

  • The wax

    From the negative form you get the wax positive, which is an absolutely true-to-shape reproduction of the original.

  • Ceramics

    The wax positive is now coated with so-called form mud (water, plaster of paris and chamotte) from sinside and outside.

  • Firing and casting

    The ceramic mantle will then be hard fired. At the same time the wax melts and the ceramic hardens to support the heavy liquid Bronze which is coming next.

    Now the most important and the trickiest part is the Bronzcast; The 1200 degrees celsium hot liquid Bronze has to be pored in exact timing and very gently for not braking the ceramic mantle.


  • Exposure of the bronze cast

    As it cools down, the bronze gets its own hardness, which then allows us to use special instruments to detach the hard-fired ceramic from the metal.

  • Revision and chasing

    As soon as the bronze figure has been freed from its ceramic remains, it will be last revised and chased.

  • Patina, the final touch

    Ultimately, the overworked bronze figure receives the necessary professional treatment according to the artist's expression or according to the wishes of the customer.

Modeling - bronze foundry - transportation

From clay model to bronze sculpture

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    Small clay model

    Small clay model "Adam and Eve"

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    Sculpture for the "Botanical Gardens of Trauttmannsdorff Castle"


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    Kleines Tonmodell

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    Gudrun Mitterstieler-Widmann modeling the clay sculptures.



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    Wax overlay


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    The cast bronze sculpture is being revised.

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    The Bamboo tubes will be burned afterwards with the wax , which allows the Bronze to fill up the whole statue, so that there will be no air bulbs remaining in the finished bronze figure.

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    Alexander Widmann in the garden of Trauttmannsdorff Castle (Meran / Süditirol).


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    Alexander Widmann polishing the sculptures in the garden of Trauttmannsdorff Castle (Meran / Süditirol).

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Impressions from the bronze foundry

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Transport of a bronze sculpture

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