Creation of a bronze sculpture
Alexander Widmann, Gertrud Mitterstieler-Widmann, natural stone and bronze work, Algund, South Tyrol. Own collections in natural stone and bronze and commissioned work: fountains, wall fountains, boulder fountains, sculptures, statues, figures, chimney cladding, tombstones, plant vessels, vases, benches and tables, stone in the building, building elements, balcony railings, vaults, entrance borders, fountain figures, garden figures, Small bronze figures, bronze relief, stone relief.
TECHNOLOGY
- The model
The sculptor models his original in a material and in a technique with which he has the best experience (often clay).
- The negative form
In order to obtain an identical wax model from the original, a negative mold is made of the model to be cast in a special rubber.
- The wax
From the negative form you get the wax positive, which is an absolutely true-to-shape reproduction of the original.
- Ceramics
The wax positive is now coated with so-called form mud (water, plaster of paris and chamotte) from sinside and outside.
- Firing and casting
The ceramic mantle will then be hard fired. At the same time the wax melts and the ceramic hardens to support the heavy liquid Bronze which is coming next.
Now the most important and the trickiest part is the Bronzcast; The 1200 degrees celsium hot liquid Bronze has to be pored in exact timing and very gently for not braking the ceramic mantle.
- Exposure of the bronze cast
As it cools down, the bronze gets its own hardness, which then allows us to use special instruments to detach the hard-fired ceramic from the metal.
- Revision and chasing
As soon as the bronze figure has been freed from its ceramic remains, it will be last revised and chased.
- Patina, the final touch
Ultimately, the overworked bronze figure receives the necessary professional treatment according to the artist's expression or according to the wishes of the customer.
From clay model to bronze sculpture
Small clay model
Small clay model "Adam and Eve"
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Sculpture for the "Botanical Gardens of Trauttmannsdorff Castle"
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Kleines Tonmodell
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Gudrun Mitterstieler-Widmann modeling the clay sculptures.
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Wax overlay
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The cast bronze sculpture is being revised.
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The Bamboo tubes will be burned afterwards with the wax , which allows the Bronze to fill up the whole statue, so that there will be no air bulbs remaining in the finished bronze figure.
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Alexander Widmann in the garden of Trauttmannsdorff Castle (Meran / Süditirol).
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Alexander Widmann polishing the sculptures in the garden of Trauttmannsdorff Castle (Meran / Süditirol).
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Impressions from the bronze foundry
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Transport of a bronze sculpture
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"Humphrey state" Georgia (USA), private villa waiting for the bronze sculpture "Marc Aurel" to arrive.
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Even the wodden packaging is made by the bronze casters.
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Marc Aurel
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It needs a lot of helping hands to manage this task.
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This procedure must be very accurate, so that a damage during the shipment can be avoided.
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"Marc Aurel" is being packed properly for the long journey from Italy to the US.
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"Marc Aurel" at his destination, in the entrance of the private Villa "Humphrey state" in Georgia (USA).
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